The pantheon of Mesopotamian gods and their deeds constitute the rich and dense mythology of the region. Many ancient artefacts, preserved today in the world’s most famous museums, depict the deities, often in human form, richly adorned with robes and bracelets.

The deities wear bracelets with a round dial depicting the sacred geometry of the Flower of Life. They decided who among men was worthy of wearing those bracelets.
Qannati draws on the same source of divine knowledge to create its timeless masterpieces.

Jeweled Bracelets with the Flower of Life (500–700), made in probably Constantinople

The bracelet showing the design of the Flower of Life was a symbol of divinity. The kings and elites chosen by the gods were extraordinary men whose virtues were considered supreme. They wore the divine bracelet to show the community their connection to the gods.

The “Flower of Life” is a “holy grail” in the Epic of Gilgamesh, that dates back some 4,500 years. Gilgamesh, the Mesopotamian King of Uruk, embarked on a quest in search of immortality.

“The land of Dilmun is holy, the land of Dilmun is pure”.
These words come from one of the world’s oldest poems written in cuneiform script on a clay tablet and found near the Euphrates River.

Gilgamesh dived down to find the Flower of Life lying at the bottom of the sea where fresh water and sea water meet. The Flower of Life was none other than Bahrain’s unique pearls.

At the end of his quest, Gilgamesh learned about the Flower of Life and its deep meanings, achieving immortality in a timeless tale. A legacy entrenched in the cultural heritage of mankind.

The Qannati packaging box is taken from the myth of the egg of life. The design is based on the Qannati Spectrum, which takes its shape from the legendary Flower of Life and its sacred geometry.

More than 4500 years ago the Mesopotamian kings used to wear the bracelets with the Flower of Life symbol engraved on them. Today, the Flower of Life remains to be one of the most fascinating and mystical, geometric symbols of time, well known within the magical world owing to its sacred geometry. This symbol is a fitting representation of the cycle of life and holds the patterns of the creation of the universe.

Qannati uses the mystical power of the Flower of Life and its sacred geometry in its designs, engraving it in its story, through a unique composition called the Qannati Spectrum. It combines three states of being: Past & Future, Matter & Consciousness and Fiction & Reality. It is an immortal pattern that guides everything Qannati creates.

The Chosen Ones of the Mesopotamian era wore a bracelet on each wrist. 4500 years later, Qannati brings these masterpieces back through Eternity Bracelets and Quantum Timepieces.

The Eternity Bracelet is shaped like a timepiece but it doesn’t tell time. It is designed for the wearer who has mastered time, and who prefers to lead rather than to track time. Each Eternity Bracelet encapsulates a handcrafted miniature universe that reflects its own time, whether past, present or future. Size of each Eternity Bracelet is 45.5mm x 47mm.

Quantum Timepieces are pieces of wearable art that complete, together with the Eternity Bracelets, the ancient Mesopotamian tradition. Quantum Timepieces are designed for those who master time and are free from its limitations.

Each Quantum Timepiece is one-of-a-kind, 360° view sculpted universe. Size of each Quantum Timepiece is 43.5mm x 45mm